Emmylou Harris - C'est La Vie (You Never Can Tell)

Lay Down Sally.... Vince Gill, Sheryl Crow, Albert Lee, Keb' Mo, Earl Klugh and James Burton perform one of Eric Clapton's most iconic hits 'Lay Down Sally' at Crossroads Guitar Festival 2010.

Lyrics

There is nothing that is wrong
In wanting you to stay here with me
I know you've got somewhere to go
But won't you make yourself at home and stay with me?
And don't you ever leave

Lay down, Sally, and rest you in my arms
Don't you think you want someone to talk to?
Lay down, Sally, no need to leave so soon
I've been trying all night long just to talk to you

The sun ain't nearly on the rise
And we still got the moon and stars above
Underneath the velvet skies
Love is all that matters
Won't you stay with me?
And don't you ever leave

Lay down, Sally, and rest you in my arms
Don't you think you want someone to talk to?
Lay down, Sally, no need to leave so soon
I've been trying all night long just to talk to you

I long to see the morning light
Coloring your face so dreamily
So don't you go and say goodbye
You can lay your worries down and stay with me
And don't you ever leave

Lay down, Sally, and rest you in my arms
Don't you think you want someone to talk to?
Lay down, Sally, no need to leave so soon
I've been trying all night long just to talk to you

Lay down, Sally, and rest you in my arms
Don't you think you want someone to talk to?
Lay down, Sally, no need to leave so soon
I've been trying all night long just to talk to you

Songwriters: Eric Patrick Clapton / George E. Terry / Marcy Levy

Lay Down Sally lyrics © Warner/Chappell Music, Inc

Bruce Springsteen with his wife Patricia Scialfa - Tougher Than the Rest

Lyrics

Well It's Saturday night
You're all dressed up in blue
I been watching you awhile
Maybe you been watching me too
So somebody ran out
Left somebody's heart in a mess
Well if you're looking for love
Honey I'm tougher than the rest

Some girls they want a handsome Dan
Or some good-lookin' Joe
On their arm some girls like a sweet-talkin' Romeo
Well 'round here baby
I learned you get what you can get
So if you're rough enough for love
Honey I'm tougher than the rest

The road is dark
And it's a thin thin line
But I want you to know I'll walk it for you any time
Maybe your other boyfriends
Couldn't pass the test
Well if you're rough and ready for love
Honey I'm tougher than the rest

Well it ain't no secret
I've been around a time or two
Well I don't know baby maybe you've been around too
Well there's another dance
All you gotta do is say yes
And if you're rough and ready for love
Honey I'm tougher than the rest
If you're rough enough for love
Baby I'm tougher than the rest

Songwriters: Bruce Springsteen

Tougher Than the Rest lyrics © Sony/ATV Music Publishing LLC

"Tougher Than the Rest" is a song by Bruce Springsteen from his 1987 Tunnel of Love album. It was released as a single in some countries, following "Brilliant Disguise" and the title track, but was not released as a single in the United States. It reached as high as No. 3 on the Swiss charts, and also reached the Top 20 in the United Kingdom, the Netherlands and Austria.

History

Like much of the Tunnel of Love album, "Tougher Than the Rest" was recorded in Springsteen's home studio, called Thrill Hill East, between January and May 1987 with several members of the E Street Band On this song, Springsteen played several instruments and is backed by Danny Federici on organ and Max Weinberg on percussion.Although it was originally written as a rockabilly song, the final version has a slower and more methodical rhythm.

On the Tunnel of Love album, "Tougher Than the Rest" is the second song, following the acoustic "Ain't Got You", and introduces the sound that will permeate the remainder of the album. The synthesizer sound is layered and melodic and the drum sound is moody, heavy and menacing. Springsteen's vocal is also menacing and boastful as he sings the simple but elegant lyrics detailing his infatuation.

At least one of the singer and the woman he is singing to appear to be on the rebound from prior relationships. The singer recognizes that he is not a "handsome Dan" or a "sweet talking Romeo" and admits that he has "been around a time or two". He is not bothered with the possibility that the woman may have "been around too."Although the singer knows how messy and rough love can be, he claims that he is ready for it, but insists that the woman must also be equally tough and willing to take chances.The song is in some ways reminiscent of Springsteen's earlier song "Thunder Road", in which the singer wants to take the woman away, even though he tells her that "you ain't a beauty but hey you're alright". But unlike the earlier song, in this song the singer's goals are more realistic – rather than looking to run away with the woman, here he just wants to ask the woman to dance. In the context of this song the phrase, 'There's another dance, all you have to do is say yes,' is an allusion to taking a chance and falling in love. This is echoed in the song 'Girls in their Summer Clothes' which includes the line 'Love's a fools' dance, I ain't got no sense, but I've still got my feet.'

The music video features live concert footage interspersed with vignettes of couples made at venues on his "Tunnel of Love Express" tour. The video includes both gay and lesbian pairs interspersed with heterosexual couples as representatives of the artist's fans. Springsteen included this explicitly homosexual imagery with neither fanfare nor exploitation. Like several other music videos from the Tunnel of Love album, including "Brilliant Disguise", "Tunnel of Love" and "One Step Up", the video for "Tougher Than The Rest" was directed by Meiert Avis. The video was later released on the VHS and DVD Video Anthology / 1978-88.

Live performance history

"Tougher Than the Rest" has been reasonably popular in live performances. Next to Brilliant Disguise and the title track, this song is third and only other song from the album to receive several appearances live. From the Tunnel of Love Express Tour (where it typically opened the second set) that supported the initial release of the album through July 2005, the song received 98 live performances in concert. A live version of the song, recorded on April 27, 1988 at Los Angeles Memorial Sports Arena was released on the EP Chimes of Freedom. That version runs 6:39.

Cover versions

Emmylou Harris recorded the most successful cover version of this song. A cover by Chris LeDoux peaked at number 67 on the Billboard Hot Country Singles & Tracks chart in 1995. Other cover versions have been recorded by Title Tracks, Everything but the Girl, The Mendoza Line, Darren Hayes, Travis Tritt, Shawn Colvin, Angel Olsen and Camera Obscura. Cher performed the song during her 1990 Heart of Stone Tour and it is included in her Live at the Mirage DVD of that tour. We Are Augustines also covered the song, on their iTunes Session album.

Bruce Springsteen - Glory Days The History of the Song by Stephen Darori, Bard Of Bat Yam , Poet Laureate of Zion

I had a friend was a big baseball player
Back in high school
He could throw that speedball by you
Make you look like a fool boy
Saw him the other night at this roadside bar
I was walking in, he was walking out
We went back inside sat down had a few drinks
But all he kept talking about was
Glory days, well, they'll pass you by
Glory days, in the wink of a young girl's eye
Glory days, glory days
Well there's a girl that lives up the block
Back in school she could turn all the boy's heads
Sometimes on a Friday I'll stop by
And have a few drinks after she put her kids to bed
Her and her husband Bobby well they split up
I guess it's two years gone by now
We just sit around talking about the old times,
She says when she feels like crying
She starts laughing thinking about
Glory days, well, they'll pass you by
Glory days, in the wink of a young girl's eye
Glory days, glory days
My old man worked twenty years on the line
And they let him go
Now everywhere he goes out looking for work
They just tell him that he's too old
I was nine years old and he was working at the
Metuchen Ford plant assembly line
Now he just sits on a stool down at the Legion hall
But I can tell what's on his mind
Glory days yeah goin back
Glory days aw he ain't never had
Glory days, glory days
Now I think I'm going down to the well tonight
And I'm going to drink till I get my fill
And I hope when I get old I don't sit around thinking about it
But I probably will
Yeah, just sitting back trying to recapture
A little of the glory of, well time slips away
And leaves you with nothing mister but
Boring stories of glory days
Glory days, well, they'll pass you by
Glory days, in the wink of a young girl's eye
Glory days, glory days
Glory days, well, they'll pass you by
Glory days, in the wink of a young girl's eye
Glory days, glory days

Songwriters: Bruce Springsteen
Glory Days lyrics © Sony/ATV Music Publishing LLC

"Glory Days"
Single by Bruce Springsteen
from the album Born in the U.S.A.
B-side	"Stand on It"
Released	May 31, 1985
Format	7" single
Recorded	April 3, 1982
Genre	Rock, rock and roll
Length	4:15 (album version) 5:31 (alternate mix) 3:49 single version
Label	Columbia
Songwriter(s)	Bruce Springsteen
Producer(s)	Jon Landau, Chuck Plotkin, Bruce Springsteen, Steven Van Zandt
Bruce Springsteen singles chronology
"I'm on Fire" (1985) "Glory Days" (1985) "I'm Goin' Down" (1985)
Born in the U.S.A. track listing
show 12 tracks
Music video
"Glory Days" on YouTube

"Glory Days" is a 1984 song, written and performed by American rock singer Bruce Springsteen. In 1985, it became the fifth single released from his album Born in the U.S.A.

The song is a seriocomic tale of a man who now ruefully looks back on his so-called "glory days" and those of people he knew during high school. The lyrics to the first verse are autobiographical, being a recount of an encounter Springsteen had with former Little League baseball teammate Joe DePugh in the summer of 1973.

The music is jocular, consisting of what Springsteen biographer Dave Marsh called "rinky-dink organ, honky-tonk piano, and garage-band guitar kicked along by an explosive tom-tom pattern."

The single peaked at #5 on the Billboard Hot 100 pop singles charts in the summer of 1985. It was the fifth of a record-tying seven Top 10 hit singles to be released from Born in the U.S.A.

Missing verse

An alternate mix of the song includes an extra verse about the narrator's father, who worked at the Ford auto plant in Metuchen, New Jersey, for twenty years and who now spends most of his time at the American Legion Hall, thinking about how he "ain't never had glory days." However, after Springsteen realized that this verse did not fit with the song's storyline, it was cut out.

Music video

The music video for the song was shot in late May 1985 in various locations in New Jersey, and was directed by filmmaker John Sayles, the third video he had done for the album. It featured a narrative story of Springsteen, playing the protagonist in the song, talking to his young son and pitching to a wooden backstop against an imaginary lineup (he eventually lost the game to Graig Nettles). The baseball field scene was shot at Miller Park Stadium in West New York, NJ. The field is inside a city block surrounded mostly by homes. Intercut with these were scenes of Springsteen and the E Street Band lip-synching the song in a bar. The bar performance scenes were filmed at Maxwell's in Hoboken, NJ.

Although he had left the band more than two years earlier, Steven Van Zandt was invited back to perform in this video, but the two new members of the band, Nils Lofgren and Patti Scialfa, who had not been on the record at all, were also featured. Springsteen's then-wife Julianne Phillips made a cameo appearance at the baseball field at the end.

The video began airing on MTV in mid-June 1985 and went into heavy rotation. The music video received two MTV Video Music Awards nominations, Best Male Videoand Best Overall Performance at the 1986 MTV Video Music Awards.

The B-side of the single, "Stand On It", was a rocker that would later occasionally be brought out in encores of concerts. "Stand On It" would become a late 1980s hit for country singer Mel McDaniel. Stand On It was also featured in the movie Ruthless People and was also on its accompanying soundtrack album.

Live performance history

"Glory Days" became a mainstay of the first set on the 1984–1985 Born in the U.S.A. Tour (prefaced by remarks in which Springsteen declared, "I hated high school!"), then went into the encores for the 1988 Tunnel of Love Express and 1992–1993 "Other Band" Tour, in the latter case serving as the "band introductions" song. It was given a rest for the 1999–2000 Reunion Tour, but then came back to appear in about half the shows on the 2002–2003 Rising Tour. Furthermore, Springsteen often plays it in informal bar appearances, since it is one of his simpler songs for other musicians to pick up and play to.

In almost all instances, performances of "Glory Days" are accompanied by considerable Springsteen/E Street Band stage shtick, vamping on the outro, continuing the song on with false endings, everyone but the drummer and keyboard players coming out to stage front in a line, and so forth. An example of the elongated concert "Glory Days" was on a highly promoted July 30, 2002, appearance on The Today Show broadcasting from Asbury Park, New Jersey. Later in The Rising Tour, the song was further extended by incorporating a long boogie-woogie organ solo from Danny Federici. Steven Van Zandt makes his vocals shine on this song, most recently on Springsteen's Magic Tour.

Springsteen made a surprise appearance on Late Night with David Letterman on June 25, 1993, and played "Glory Days". Springsteen was the final guest on Letterman's last "Late Night" show on NBC. In his introduction to Springsteen's appearance, Letterman noted how Springsteen was the one performer he wished he had booked as a guest during his "Late Night" run, and that he was thankful that he was able to finally have Springsteen perform on that final show.

"Glory Days" was performed at the Super Bowl XLIII half-time show with minor lyric changes appropriate to the occasion (football player instead of baseball player, "Hail Mary" instead of "speedball"). During the song, Springsteen told Steven Van Zandt that they were going over their allowed 12 minutes, and Van Zandt responded that they should keep playing anyway.

"

Creedence Clearwater Revival - Cotton Fields - and the history of the song

Creedence Clearwater Revival – Cotton Fields Lyrics

Songwriters: HUDDIE LEDBETTER

Cotton Fields lyrics © T.R.O. INC.

Chorus1:
When I was a little bitty baby
My mama would rock me in the cradle,
In them old cotton fields back home;

Chorus2:
It was down in Louisiana,
Just about a mile from Texarkana,
In them old cotton fields back home.

Chorus3:
Oh, when them cotton bolls get rotten
You can't pick very much cotton,
In them old cotton fields back home.

Chorus2
Chorus1
Chorus2
Chorus3
Chorus2
Chorus1
Chorus2


"Cotton Fields" is a song written by American blues musician Huddie Ledbetter, better known as Lead Belly, who made the first recording of the song in 1940.


Early versions

Recorded by Lead Belly in 1940, "Cotton Fields" was introduced into the canon of folk music via its inclusion on the 1954 album release Odetta & Larry which comprised performances by Odetta[1] at the Tin Angel nightclub in San Francisco with instrumental and vocal accompaniment by Lawrence Mohr: this version was entitled "Old Cotton Fields at Home". The song's profile was boosted via its recording by Harry Belafonte first on his 1958 album Belafonte Sings the Blues with a live version appearing on the 1959 concert album Belafonte at Carnegie Hall: Belafonte had learned "Cotton Fields" from Odetta and been singing it in concert as early as 1955. A #13 hit in 1961 for The Highwaymen, "Cotton Fields" served as an album track for a number of C&W and folk-rock acts including Ferlin Husky (The Heart and Soul of Ferlin Husky 1963), Buck Owens (On the Bandstand 1963), the New Christy Minstrels (Chim-Chim-Cheree 1965) and the Seekers (Roving With The Seekers1964): Odetta also made a new studio recording of the song for her 1963 album One Grain of Sand. The Springfields included "Cotton Fields" on a 1962 EPrelease: this version is featured on the CD On An Island Of Dreams: The Best Of The Springfields. "Cotton Fields" was also recorded by Unit 4+2 for their Concrete and Clay album (1965). A rendering in French: "L'enfant do", was recorded in 1962 by Hugues Aufray and Petula Clark.

The Beach Boys cover[edit]
"Cottonfields"

When I was a little bitty baby
My mama done rock me in the cradle
In them old cotton fields back home
It was back in louisiana
Just about a mile from texarkana
In them old cotton fields back home

Let me tell you now well got me in a fix
I caught a nail in my tire doing lickitey splits
I had to walk a long long way to town
Came upon a nice old man well he had a hat on
Wait a minute mister can you give me some directions
I gonna want to be right off for home

Don't care if them cotton balls get rotten
When I got you baby, who needs cotton
In them old cotton fields back home
Brother only one thing more that's gonna warm you
A summer's day out in California
It's gonna be those cotton fields back home

It was back in Louisiana
Just about…

American rock band the Beach Boys recorded "Cotton Fields" on November 18, 1968: the track with Al Jardine on lead vocals debuted on the group's 1969 album 20/20.

Single version

The Beach Boys
Al Jardine - lead vocals, guitar, producer, arrangement
Carl Wilson – guitar
Dennis Wilson – drums
Bruce Johnston – keyboardsAdditional personnel
Ed Carter – bass
Daryl Dragon – keyboards
Orville "Red" Rhodes - pedal steel guitar
Frank Capp – percussion
Bill Peterson, Fred Koyen, David Edwards, Ernie Small – horns
The Beach Boys - producer

Notes
The single version of the song has mild distortion due to compression, especially during the drum fills, and sporadic skipping can be heard from 1:03 to 1:31 in the song. This is much more noticeable in the stereo mix of the song. In the mono mix of the song featured in the Good Vibrations box set, the skipping is less audible and the song itself is in a slightly higher pitch than in this stereo version.

Dissatisfied with Brian Wilson's arrangement of the song, Jardine later led the group to record a more country rock style version; this version recorded on August 15, 1969, featured Orville "Red" Rhodes on pedal steel guitar. Entitled "Cottonfields", the track afforded the Beach Boys their most widespread international success while also consolidating the end of the group's hit-making career in the US (although they would enjoy periodic comebacks there). "Cottonfields" would be the final Beach Boys' single released on Capitol Records – the group's label since May 1962 – and their last single released in mono.

While barely making a dent in the U.S. (number 95 Record World, number 103 Billboard) though promoted with an appearance on the network TV pop show Something Else, the song succeeded across the Atlantic, reaching number two in the UK's Melody Maker chart and listed as the tenth-biggest seller of the year by the New Musical Express. Worldwide – outside North America – it nearly replicated the success of the group's "Do It Again" two years before. It was number 1 in Australia, South Africa, Sweden and Norway, number 2 in Denmark, number 3 in Ireland, similarly top 5 in the United Kingdom, Japan, Spain and Rhodesia; number 12 in the Netherlands, number 13 in New Zealand and number 29 in Germany. Because of this popularity, it was placed on the international (ex-US) release of the group's Sunfloweralbum.

Covers

Bill Monroe 1962, Decca Records DL4266
The Highwaymen (folk band) in 1962
Johnny Cash on his 1962 album The Sound of Johnny Cash
The Angels in 1963 that went to #119 in the U.S.
Johnny Mann Singers on the 1963 album Golden Folk Song Hits – Liberty LST-7253
Esther Ofarim sang "Cotton Fields" live on television in 1963 & 1969, with her then husband Abi Ofarim. They also recorded a German version, "Wenn ich bei Dir sein kann" in 1964[4]
Eddy Arnold (with the Needmore Creek Singers) on the 1964 album "Folk Song Book"
Rose Marie on episode 102 of The Dick van Dyke Show "The Alan Brady Show Goes to Jail" (1964)
The Carter Sisters on their album The Best of The Carter Family (1966)
Webb Pierce on the 1966 Decca album Webb's Choice
Harry Dean Stanton, in one scene of the 1967 film Cool Hand Luke, plays a sped-up version
Udo Jürgens a 1968 single
Creedence Clearwater Revival on their (1969) album Willy and the Poor Boys. This version hit #1 in Mexico in 1970.
Elvis Presley in the 1970 movie Elvis: That's the Way It Is
Joe Dassin on 1989 Sony Music compilation Vol.2.
Donna Douglas on her 1989 album Back on the Mountain
The Pogues on their 1989 album Peace and Love (while this version references the original in its lyrics, the song itself is not a cover per se)
Teresa Brewer on The Muppet Show
Tesla released a cover version as the B-side to the single Call It What You Want, released in 1991
Kitten recorded a version of the song on their 2007 album Yodeling Cowgirl
Flatfoot 56 (a Celtic Oi! band) covered it on their album Toil, released in 2012
Elton John on the Cotton Fields: 16 Legendary Covers From 1969/70 album, released in 2004
Harry Belafonte

Lyrics

The original Lead Belly lyrics state that the fields are "down in Louisiana, just ten miles from Texarkana". Later versions (e.g., Creedence Clearwater Revival's) say the fields are "down in Louisiana, just about a mile from Texarkana". Both are geographically impossible, as Texarkana is about 30 miles north of the Arkansas–Louisiana border. This song line suggests the writer had the widely held[citation needed] but mistaken belief that Texarkana is partially in Louisiana.

Further use

The song and its various cover versions became a synonym of bluegrass music, as well far from actual cotton yielding regions. E.g. the German skiffle band Die Rhöner Säuwäntzt describe their style as Musik von den Baumwollfeldern der Rhön, translating into "music played in the Rhön Mountains (imaginary) cotton fields".In Spanish, the song was covered by the '60s rock and roll group Los Apson. In order to keep the words sounding similar, the meaning of the song was completely changed.

Footloose "Fake I.D." Music Video Official [HD] - Big & Rich ft. Gretche...for Footloose

Hey, I've been driving all over the town
On my cellphone wearin' it out
And I finally tracked you down

Hey, everybody says you're the man
The final piece to my master plan
You got my world in the palm of your hand

Well I know that you got it
Come on and just sell it
Got the cash up in my pocket
You know I gotta get it

Hey mister won't you sell me a fake ID
There's a band in the bar that I'm dying to see
I got my money and you got what I need
Hey mister won't you sell me a fake ID

Hey, don't even think about tellin' me no
It's only twenty minutes 'till the show
Hey mister turn it over let's go

No, I ain't gonna need a receipt
Just make sure that it looks like me
So the bouncer don't call the police

And don't tell my daddy
Stole the keys to his caddy
Don't dilly…

Footloose (1984 film)

Footloose is a 1984 American musical drama film directed by Herbert Ross. It tells the story of Ren McCormack (Kevin Bacon), an upbeat Chicago teen who moves to a small town in which, as a result of the efforts of a local minister (John Lithgow), dancing and rock music have been banned.

The film is loosely based on actual events that took place in the small, rural, and religious community of Elmore City, Oklahoma.

Plot

Ren McCormack, a teenager raised in Chicago, moves with his mother to the small town of Bomont to live with his aunt and uncle. Soon after arriving, Ren befriends Willard Hewitt, and from him learns the city council has banned dancing and rock music. He soon begins to fall for a rebellious teenage girl named Ariel, who has an abusive boyfriend, Chuck Cranston, and a strict father, Shaw Moore, who is a reverend of the local church.

After trading insults with Chuck, Ren is challenged to a game of chicken involving tractors. Ren wins when his shoelace becomes stuck and prevents him from jumping from the tractor. Reverend Moore distrusts Ren, and he grounds Ariel, forbidding her to see him. Ren and his classmates want to do away with the no-dancing law and have a senior prom. He drives Ariel, Willard, and Ariel's best friend, Rusty, to a country bar about 100 miles away from Bomont to experience the joy and freedom of dancing, but once there, Willard is unable to dance and gets into a jealous fight with a man who dances with Rusty. Later, Ren teaches Willard to dance.

Ren decides to challenge the anti-dancing ordinance so that the senior class can hold a senior prom. He goes before the city council and reads several Bible verses to cite scriptural support for the worth of dancing to rejoice, exercise, or celebrate. Although Reverend Moore is moved, the council votes against Ren's proposal. Vi, Moore's wife, is supportive of the movement and explains to Moore that he cannot be everyone's father and that he is hardly being a father to Ariel. She also says that dancing and music are not the problem. Moore feels betrayed that even his wife does not believe in him even though she assures him that she always did, telling him, "Shaw, it's 20 years now I've been a minister's wife. And I've been quiet, supportive, unobtrusive; and after 20 years I still think you're a wonderful, wonderful preacher. You can lift a congregation up so high they have to look down to see Heaven. But it's the one-to-one where you need a little work."

Despite further discussion with Ren about his own family losses in comparison to Moore's losses and Ariel's opening up about her own sinful past, even going so far as to admit that she has had sexual relations, Moore cannot bring himself to change his stance. His son Bobby was killed in a car crash while returning from a night of dancing, resulting in Moore's arranging to ban music and dancing in the community. However, he has a change of heart after seeing some of the townsfolk burning books that they think are dangerous to the youth. Realizing the situation has gotten out of hand, Moore stops the book-burning, rebukes the people, and sends them home.

The following Sunday, Moore asks his congregation to pray for the high school students putting on the prom, which is set up at a grain mill just outside the Bomont town limits. Shaw and Vi listen outside, dancing for the first time in years. Chuck and his friends arrive and start a fight with Willard, who with Ren knocks them out. Ren, Ariel, Willard, and Rusty rejoin the party and happily dance the night away.

Cast

Kevin Bacon as Ren

Lori Singer as Ariel

John Lithgow as Rev. Shaw Moore

Dianne Wiest as Vi Moore

Chris Penn as Willard

Sarah Jessica Parker as Rusty

John Laughlin as Woody

Elizabeth Gorcey as Wendy Jo

Frances Lee McCain as Ethel McCormack

Jim Youngs as Chuck Cranston

Timothy Scott as Andy Beamis

Production

Dean Pitchford wrote the screenplay (and most of the lyrics) for Footloose, Herbert Ross directed the movie, and Paramount Pictures co-produced and distributed it.

Michael Cimino was hired by Paramount to direct the film when negotiations with Ross initially stalled. After four months working on the film, the studio fired Cimino, who was making extravagant demands for the production, including demanding an additional $250,000 for his work, and ended up rehiring Ross.

Casting

Tom Cruise and Rob Lowe were both slated to play the lead. The casting directors were impressed with Cruise because of the famous underwear dance sequence in Risky Business, but he was unavailable for the part because he was filming All the Right Moves. Lowe auditioned three times and had dancing ability and the "neutral teen" look that the director wanted, but injury prevented him from taking the part.[4] Bacon had been offered the main role for the Stephen King movie Christine at the same time that he was asked to do the screen test for Footloose. He chose to take the gamble on the screen test. After watching his earlier movie Diner, the director convinced the producers to go with Bacon.

The film also starred Lori Singer as Reverend Moore's independent daughter Ariel, a role for which Madonna also auditioned. Daryl Hannah turned down the offer to play Ariel in order to play Madison in Splash. Elizabeth McGovern turned down the role to play Deborah Gelly in Once Upon a Time in America. Melanie Griffith, Michelle Pfeiffer, Jamie Lee Curtis, Rosanna Arquette, Meg Tilly, Julia Louis-Dreyfus, Heather Locklear, Meg Ryan, Jennifer Jason Leigh, Jodie Foster, Phoebe Cates, Tatum O'Neal, Bridget Fonda, Lori Loughlin, Diane Lane and Brooke Shields were all considered for the role of Ariel. Dianne Wiest appeared as Vi, the Reverend's devoted yet conflicted wife.

The film featured an early film appearance by Sarah Jessica Parker as Ariel's friend Rusty, for which she received a Best Young Supporting Actress in a Motion Picture Musical, Comedy, Adventure or Drama nomination at the Sixth Annual Youth in Film Awards. It was also an early role for Chris Penn as Willard Hewitt, who is taught how to dance by his friend Ren.

Filming

The film was shot at various locations in Utah County, Utah. The high school and tractor scenes were filmed in and around Payson and Payson High School. The church scenes were filmed in American Fork and the steel mill was the Geneva Steel mill in Vineyard. The drive-in scenes were filmed in Provo at what was then the "High Spot" restaurant. The restaurant closed in the late 1980s and there is now an auto parts store located at 200 N 500 W. The final sequence was filmed in Lehi with the Lehi Roller Mills featured in the final sequence.

For his dance scene in the warehouse, Bacon said he had four stunt doubles: "I had a stunt double, a dance double [Peter Tramm] and two gymnastics doubles."

Soundtrack

The soundtrack was released in cassette, 8-track tape, vinyl, and CD format. The soundtrack was also re-released on CD for the 15th anniversary of the film in 1999. The re-release included four new songs: "Bang Your Head (Metal Health)" by Quiet Riot, "Hurts So Good" by John Mellencamp, "Waiting for a Girl Like You" by Foreigner, and the extended 12" remix of "Dancing in the Sheets".

The album includes "Footloose" and "I'm Free", both by Kenny Loggins, "Holding Out for a Hero" by Bonnie Tyler, "Girl Gets Around" by Sammy Hagar, "Never" by Australian rock band Moving Pictures, "Let's Hear It for the Boy" by Deniece Williams, "Somebody's Eyes" by Karla Bonoff, and "Dancing In The Sheets" by Shalamar, and the love theme, "Almost Paradise" by Mike Reno from Loverboy and Ann Wilson of Heart. Some of the songs were composed by Eric Carmen and Jim Steinman and the soundtrack went on to sell over 9 million copies in the USA.

The first two tracks both hit No. 1 on the Billboard Hot 100 and received 1985 Academy Award nominations for Best Music (Original Song). "Footloose" also received a 1985 Golden Globe Award nomination for Best Original Song – Motion Picture.

The late film composer Miles Goodman has been credited for adapting and orchestrating the film's score.

Reception

Critical response

The film received mixed reviews from critics. Chicago Sun-Times critic Roger Ebert called it "a seriously confused movie that tries to do three things, and does all of them badly. It wants to tell the story of a conflict in a town, it wants to introduce some flashy teenage characters, and part of the time it wants to be a music video." Dave Denby in New York rechristened the film "Schlockdance", writing: "Footloose may be a hit, but it's trash - high powered fodder for the teen market... The only person to come out of the film better off is the smooth-cheeked, pug-nosed Bacon, who gives a cocky but likeable Mr. Cool performance."

Jane Lamacraft reassessed the film for Sight and Sound's "Forgotten pleasures of the multiplex" feature in 2010, writing "Nearly three decades on, Bacon's vest-clad set-piece dance in a flour mill looks cheesily 1980s, but the rest of Ross's drama wears its age well, real song-and-dance joy for the pre-Glee generation."

On review aggregator Rotten Tomatoes, the film received an approval rating of 51% based on 39 reviews, with an average rating of 5.6/10.[16] On Metacritic, the film has a weighted average score of 42 out of 100 based on 12 critics, indicating "mixed or average reviews".

Box office

Despite mixed critical reviews, the film grossed $80,035,403 domestically.

Bruce Springsteen - Tougher Than the Rest and the History of the Song

Tougher Than The Rest Lyrics
Songwriters: BRUCE SPRINGSTEEN
Tougher Than The Rest lyrics © Downtown Music Publishing

Well it's Saturday night
You're all dressed up in blue
I been watching you awhile
Maybe you been watching me too
So somebody ran out
Left somebody's heart in a mess
Well if you're looking for love
Honey I'm tougher than the rest

Some girls they want a handsome Dan
Or some good-lookin' Joe, on their arm
Some girls like a sweet-talkin' Romeo
Well 'round here baby
I learned you get what you can get
So if you're rough enough for love
Honey I'm tougher than the rest

The road is dark
And it's a thin thin line
But I want you to know I'll walk it for you any time
Maybe your other boyfriends
Couldn't pass the test
Well if you're rough and ready for love
Honey I'm tougher than the rest

Well it ain't no secret
I've been around a time or two
Well I don't know baby maybe you've been around too
Well there's another dance
All you gotta do is say yes
And if you're rough and ready for love
Honey I'm tougher than the rest
If you're rough enough for love
Baby I'm tougher than the rest

"Tougher Than the Rest" is a song by Bruce Springsteen from his 1987 Tunnel of Love album. It was released as a single in some countries, following "Brilliant Disguise" and the title track, but was not released as a single in the United States.^[1] It reached as high as No. 3 on the Swiss charts, and also reached the Top 20 in the United Kingdom, the Netherlands and Austria.

History

Like much of the Tunnel of Love album, "Tougher Than the Rest" was recorded in Springsteen's home studio, called Thrill Hill East, between January and May 1987 with several members of the E Street Band. On this song, Springsteen played several instruments and is backed by Danny Federici on organ and Max Weinberg on percussion. Although it was originally written as a rockabilly song, the final version has a slower and more methodical rhythm.

On the Tunnel of Love album, "Tougher Than the Rest" is the second song, following the acoustic "Ain't Got You", and introduces the sound that will permeate the remainder of the album.The synthesizer sound is layered and melodic and the drum sound is moody, heavy and menacing^[ Springsteen's vocal is also menacing and boastful as he sings the simple but elegant lyrics detailing his infatuation.

At least one of the singer and the woman he is singing to appear to be on the rebound from prior relationships. The singer recognizes that he is not a "handsome Dan" or a "sweet talking Romeo" and admits that he has "been around a time or two". He is not bothered with the possibility that the woman may have "been around too."Although the singer knows how messy and rough love can be, he claims that he is ready for it, but insists that the woman must also be equally tough and willing to take chances. The song is in some ways reminiscent of Springsteen's earlier song "Thunder Road", in which the singer wants to take the woman away, even though he tells her that "you ain't a beauty but hey you're alright". But unlike the earlier song, in this song the singer's goals are more realistic – rather than looking to run away with the woman, here he just wants to ask the woman to dance.^[ In the context of this song the phrase, 'There's another dance, all you have to do is say yes,' is an allusion to taking a chance and falling in love. This is echoed in the song 'Girls in their Summer Clothes' which includes the line 'Love's a fools' dance, I ain't got no sense, but I've still got my feet.'

The music video features live concert footage interspersed with vignettes of couples made at venues on his "Tunnel of Love Express" tour. The video includes both gay and lesbian pairs interspersed with heterosexual couples as representatives of the artist's fans. Springsteen included this explicitly homosexual imagery with neither fanfare nor exploitation. Like several other music videos from the Tunnel of Love album, including "Brilliant Disguise", "Tunnel of Love" and "One Step Up", the video for "Tougher Than The Rest" was directed by Meiert Avis. The video was later released on the VHS and DVD Video Anthology / 1978-88.

Live performance history
"Tougher Than the Rest" has been reasonably popular in live performances. Next to Brilliant Disguise and the title track, this song is third and only other song from the album to receive several appearances live. From the Tunnel of Love Express Tour (where it typically opened the second set) that supported the initial release of the album through July 2005, the song received 98 live performances in concert.[13] A live version of the song, recorded on April 27, 1988 at Los Angeles Memorial Sports Arena was released on the EP Chimes of Freedom. That version runs 6:39.