We stop-look
At one another
Short of breath
Walking proudly in our winter coats
Wearing smells from laboratories
Facing a dying nation
Of moving paper fantasies
Listening for the new told lies
With supreme visions of lonely tunes
Somewhere
Inside something there is a rush of
Greatness
Who knows what stands in front of
Our lives
I fashion my future on films in space
Silence
Tells me secretly
Everything
Everything
Manchester England England
Manchester England England
(Eyes look your last)
Across the Atlantic Sea
(Arms take your last embrace)
And I'm a genius genius
(And lips oh you the
Doors of breath)
I believe in God
(Seal with a righteous kiss)
And I believe that God believes in Claude
(Seal with a righteous kiss)
That's me, that's me, that's me
(The rest is silence
The rest is silence
The rest is silence)
We stop-look
At one another
Short of breath
Walking proudly in our winter coats
Wearing smells from laboratories
Facing a dying nation
Of moving paper fantasies
Listening for the new told lies
With supreme visions of lonely tunes
Singing
Our space songs on a spider web sitar
Life is around you and in you
Answer for Timothy Leary, dearie
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in
The sun shine in
Music by:
Galt MacDermot
Lyrics by:
Gerome Ragni and James Rado
"Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" (commonly called "Aquarius/Let the Sunshine In", "The Age of Aquarius" or "Let the Sunshine In") is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group The 5th Dimension. The song peaked at number one for six weeks on the US Billboard Hot 100 pop singles chart in the spring of 1969. The single topped the American pop charts and was eventually certified platinum in the US by the RIAA. Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew. The actual recording is something of a "rarity"; the song was recorded in two cities, Los Angeles and Las Vegas, then mixed together in the studio, afterwards.
The song listed at number 66 on Billboard's "Greatest Songs of All Time".
History
The recording was helmed by veteran American producer and engineer Bones Howe, who had previously worked with the 5th Dimension as well as the Mamas & the Papas and Elvis Presley. As Howe tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show: "After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song "Aquarius". It's the best thing ever.'" Howe was skeptical ("This isn't a complete song. It's an introduction."), but after seeing the show on stage got the idea to create a medley with another musical moment from the show, a few bars from the song "The Flesh Failures" that consist of the repeated words "let the sunshine in." Although the two song fragments are in different keys and tempos, Howe resolved to "jam them together like two trains."
The instrumental track was set to tape at Wally Heider Recording in Los Angeles by the Wrecking Crew rhythm section of Hal Blaine on drums, Joe Osborn on bass, Larry Knechtel on keyboards, and Tommy Tedesco on guitar along with guitarist Dennis Budimir. However, the vocals were recorded separately in Las Vegas, where the 5th Dimension was performing at the time, using only two microphones for the five singers. Davis' solo during "Let the Sunshine In" was improvised during the session; songwriter Jimmy Webb, who happened into the studio during the recording, remarked to Howe, "My God, that's a number one record."
This song was one of the most popular songs of 1969 worldwide, and in the United States it reached the number one position on both the Billboard Hot 100 (for six weeks in April and May) and the Billboard Easy Listening chart. It also reached the top of the sales charts in Canada and elsewhere. Billboard ranked it as the No. 2 Hot 100 single for 1969.
The recording won both the Grammy Award for Record of the Year and Best Pop Vocal Performance by a Group for the Grammy Awards of 1970, after being published on the album The Age of Aquarius by the 5th Dimension, and also being released as a seven-inch vinyl single record.
The lyrics of this song were based on the astrological belief that the world would soon be entering the "Age of Aquarius", an age of love, light, and humanity, unlike the current "Age of Pisces". The exact circumstances for the change are "When the moon is in the seventh house, and Jupiter aligns with Mars." This change was presumed to occur at the end of the 20th century; however, astrologers differ extremely widely as to when. Their proposed dates range from 2062 to 2680.
Astrologer Neil Spencer denounced the lyrics as "astrological gibberish", noting that Jupiter forms an astrological aspect with Mars several times a year and the moon is in the 7th House for two hours every day.[7] These lines are considered by many[who?] to be merely poetic license, though some people take them literally.
The American Film Institute's 100 Years...100 Songs list, published in 2004, ranked "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" as number 33.
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