Friday, April 7, 2017

Joan Baez Live at Woodstock-Joe Hill-Swing low sweet cheriot Vara broadc...



Joan Baez, Paul Robeson: Joe Hill

SONG Joe Hill

SONGWRITERS Alfred Hayes (words) and Earl Robinson (music)

PERFORMERS Joan Baez, Paul Robeson, others

APPEARS ON From Every Stage, Woodstock: Music From The Original Soundtrack and More (Baez); Live at Carnegie Hall (Robeson)

Although popularized by Joan Baez' performance in the 1970 film Woodstock, this labor ballad traces its pedigree back to a 1930 poem by the British writer Alfred Hayes called "I Dreamed I Saw Joe Hill Last Night." (Some accounts have Hayes writing the poem in 1925.) In 1936, Seattle composer Earl Robinson set the poem to music; since then, various artists have performed the song as an inspiration for organizing labor and other community movements. In addition to Baez, singers of Joe Hill include Paul Robeson, Pete Seeger and Phil Ochs. In 1958, Robeson performed what must have been the definitive version for an earlier generation at his Carnegie Hall concert. "Joe Hill" remains a staple of Baez' concerts to this day.

The song's unlikely subject was born Joel Emmanuel Hagglund in Sweden sometime between 1879 and 1882. Hagglun emigrated to the United States in 1902 and began traveling the American west as a migrant laborer. Somewhere along the line, Hagglund became known as Joseph Hillstrom, a name perhaps inevitably shortened to Joe Hill. Hill joined the Industrial Workers of the World (IWW, also known as the "Wobblies") in 1910, gaining prominence as an organizer and writer of labor songs.

In early 1914, Hill arrived in Park City, Utah, having found work there as a silver miner. Shortly after Hill's arrival in Park City, masked robbers murdered a Salt Lake City butcher and his son in the family shop. During the robbery, the butcher returned fire and wounded one of the robbers. Shortly after, Hill appeared in at local doctor's office with a bullet wound. Although he denied robbing the butcher -- and rudimentary forensic evidence supported his claim -- Hill was nonetheless arrested and tried for murder. Hill's efforts to keep the IWW out of his trial failed, and it is thought today that his membership in the radical labor organization was the key factor in the guilty verdict brought against him. A Utah firing squad executed Hill on November 19, 1915. (Complete Wikipedia article here.)

Shortly before his death, Hill sent the following message to IWW leader Bill Haywood:
Goodbye Bill. I die like a true blue rebel. Don't waste any time in mourning. Organize... Could you arrange to have my body hauled to the state line to be buried? I don't want to be found dead in Utah.
"Joe Hill" has been performed around the world in over a dozen languages. Of the two versions presented here, Baez' version shows "Joe Hill" in its folk roots and -- through Robeson's more classically oriented rendition -- the extent to which the song has been adapted. Earl Robinson had this to say about "Joe Hill":
"Joe Hill" was written in Camp Unity in the summer of 1936 in New York State, for a campfire program celebrating him and his songs, "Casey Jones," "Pie in the Sky" and others. Before the end of that summer we were hearing of performances in a New Orleans Labor Council, a San Francisco picket line, and it was taken to Spain by the members of the Abraham Lincoln Brigade to help in the fight against Franco. It has travelled around the world since like a folk song, been translated into twelve or fifteen languages. Joan Baez' singing of the song at Woodstock brought it to popular attention, but I still get asked the question, "Did you write 'Joe Hill'?" [More here and here.]

LYRICS
I dreamed I saw Joe Hill last night,
alive as you and me.
Says I "But Joe, you're ten years dead"
"I never died" said he,
"I never died" said he.

"The Copper Bosses killed you Joe,
they shot you Joe" says I.
"Takes more than guns to kill a man"
Says Joe "I didn't die"
Says Joe "I didn't die"

"In Salt Lake City, Joe," says I,
Him standing by my bed,
"They framed you on a murder charge,"
Says Joe, "But I ain't dead,"
Says Joe, "But I ain't dead."

And standing there as big as life
and smiling with his eyes.
Says Joe "What they can never kill
went on to organize,
went on to organize"

From San Diego up to Maine,
in every mine and mill,
Where working men defend their rights,
it's there you find Joe Hill,
it's there you find Joe Hill!

I dreamed I saw Joe Hill last night,
alive as you and me.
Says I "But Joe, you're ten years dead"
"I never died" said he,
"I never died" said he.


Joan Baez Performs Thrilling 'Swing Low, Sweet Chariot' at Rock Hall of Fame


Baez also revisited songs from The Band, Woody Guthrie with Mary Chapin Carpenter, Indigo Girls


Joan Baez played with Mary Chapin Carpenter and the Indigo Girls at the Rock and Roll Hall of Fame induction ceremony. Kevin Mazur/WireImage/Getty


Joan Baez delivered spare, captivating versions of three songs from her repertoire on Friday night at the Rock and Roll Hall of Fame induction ceremony at Brooklyn's Barclays Center.

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Baez initially took the stage alone to perform a rendition of "Swing Low, Sweet Chariot," a traditional number that she also performed at Woodstock in 1969. "My voice is my greatest gift," Baez said during her induction speech, and the solo format allowed her to demonstrate that gift's extraordinary range.


She played a bare outline of melody on guitar, but the focus was entirely on her singing: she transformed single words like "home" and "chariot" into multi-note, virtuosic displays. She also adjusted the song's lyrics in the final line – "Coming for to carry me home" – to include President Trump, suggesting that even he was not beyond saving.





After "Swing Low, Sweet Chariot," Baez invited singer/songwriter Mary Chapin Carpenter and the Indigo Girls to join her onstage. Together, the quartet tackled "Deportee (Plane Wreck At Los Gatos)," a protest tune written by Woody Guthrie, and "The Night They Drove Old Dixie Down," one of the Band's most popular songs.


"Deportee" was a serene affair, full of dulcet strums and graceful singing from all four artists. Baez picked up the tempo during "The Night They Drove Old Dixie Down" and enjoyed slipping in front of the beat and waiting for it catch up. A few members of the crowd joined in during the song's famous, hummable chorus.


Baez initially expressed surprise when she found out about her Rock Hall induction. "I never considered myself to be a rock and roll artist," she explained in a statement. "But as part of the folk music boom which contributed to and influenced the rock revolution of the Sixties, I am proud that some of the songs I sang made their way into the rock lexicon. I very much appreciate this honor and acknowledgement by the Hall of Fame."


Early in her career, Baez recorded traditional songs like "House of the Rising Sun," which later became a major hit for The Animals, and "John Riley," which subsequently influenced the Byrds' rendition on 1966's Fifth Dimension. Baez also performed at Woodstock, one of rock's seminal events.


Even if her music leans more towards folk, longtime friend Bob Neuwirth suggested that Baez's spirit makes her a natural candidate for the Rock Hall. "Joan has that rock and roll attitude toward life and freedom and love," Neuwirth said recently. "She has a kind of bravery that could just kick down the doors."


Baez's Hall of Fame induction is the latest acknowledgement of her contributions to popular music. She earned a Lifetime Achievement Award from the Grammys in 2007.


She is currently at work on a new album produced by Joe Henry. "So many people have said to me, out of the blue, 'We need Joan Baez right now,'" Henry told Rolling Stone. "She's been fiercely standing where she is her whole life."





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